He provides amazing insight in how working in the rigid structure of the Italian comics affected his work, but also how he approaches his work today and what’s most important to him.Įvery wonder if contemporary artists use photographic references? It’s something that was quite common for the biggest newspaper comic strip artists back in the thirties, forties and fifties like Milton Caniff and Alex Raymond, but Santucci is no different. Santucci’s shares not only some of his biggest influences like John Buscema and Alex Ross, but also how his early work for European publishers in Italy and France helped him develop. It should come as no surprise that he’s got a few favorites including the newest Green Lantern, Jo Mullein from Far Sector. This isn’t Santucci’s first time on a Green Lantern book so he’s had the opportunity to draw these characters before. Santucci likes this division and he talks about why as well as what obstacles it brings. The book is currently split in two storylines with Raney handling one and Santucci drawing the other. While there have been some changes in artists including work by Tom Raney and Andy MacDonald, Santucci is the only one who’s been there since issue #1. When the new Green Lantern title launched back in March of 2021, writer Geoffrey Thorne was joined on the book by artists, Dexter Soy and Marco Santucci. Santucci joined me from his home in Cortona, Italy to speak about his current work on Green Lantern as well as provide some exciting insight on his craft and his career in the comic book field. Have your read about mandalas, or created them yourself? I have MUCH to learn, so please share your knowledge and resources with me in your comments.Recently I spoke with Artist Marco Santucci for an exclusive interview for DC Comics News. Nothing bulky, nothing messy, and I had a great "arty" outlet to enjoy while I was away from home! All I needed was a little notebook of drawing paper (which I bound for myself with my Cinch machine) and a black PITT artist pen. This mandala is a copy of one of Warren's designs.ĭrawing these mandalas was the perfect art experience to bring along with me when I traveled to Atlanta for Thanksgiving this past weekend. I do lots and lots of thinking while I'm drawing, though, so it wouldn't surprise me at all if my work gets more personally symbolic when the designs and patterns come to me naturally, rather than from me looking on the computer for ideas to copy or incorporate. Right now, I still feel like I'm getting used to the process, and exploring design and pattern options. I don't think I have anything symbolic going on in my drawings so far. You organize your thoughts around a central point that represents a particular theme or concept, and express ideas and meanings by choosing symbols and colors that reflect your intent."įinding Warren's web site, The Doodle Daily, has opened up another whole set of mandala symbols to incorporate into my designs. Crystals, atoms, hurricanes, the solar system, sound waves, hair shafts, a fetus in the womb, the rings of Saturn, snowflakes, tornadoes, snails, shells, sunflowers, roses, daisies, an octopus, the iris of an eye, pincones, an apple slice, starfish, spiderwebs, the cycle of the seasons, animal migrations.all are mandalas!īailey Cunningham explained in Mandala: Journey to the Center, that "the circle becomes a container to hold your most cherished ideas and emotions. One of the things that made the biggest impression on me is how mandalas are found everywhere in the natural world. I didn't really know anything about mandalas, and I certainly had no idea how to draw one, but I liked looking at the different designs she created.īack in August, I started to do a little "research", and checked out a couple of books from the library about mandalas. Since I started reading Tammy's blog, Daisy Yellow, at the beginning of this year, one of the things I have most enjoyed have been her mandala drawings.
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